Gabriel Orozco, Yeilding Stone, 1992 2009
Last Saturday September 29th, I had an exhibit on board the MS Norgoma but I did not want to miss the opportunity to speak with Ryan Amadore before he left with his amazing work for Kapuskasing where he lives with his wife Sophie and son. For the past month, I worked in my studio space, right beside the gallery where Ryan’s work was exhibited. I kept catching a glance at his water or his ducky, the two paintings I could see while painting. His loose yet controlled brushstrokes were a reminder to keep exploring and staying fresh and loose. Not to overwork my work. I am indebted to Ryan for this et merci aussi à Sophie!!
I was so fortunate that Ryan was happy to share his thoughts with me. It’s a shorter than usual recording but such a wonderful one. Thanks Ryan and happy trails in the middle of no(some)where.
Visit http://picbear.xyz/ryanamadore to know more about Ryan!
Photo: Ryan Amadore 2018
Music: Neil Young, Everybody Knows This is Nowhere, 1969
Jason, Mark and Isabelle continue their meandering conversation. It take us to many places: Lola festival, talking about Yoko Ono, Bus Shelter pieces, Prince Trivia, Undiscovered Facts, Roberta Bondar , 180 Projects, so many things lined up, the realities of being an artist/breaks, Basquiat, Ben Portis, the future of podcasts as archives, Deep Color podcast, Cough Park Project (35:00).
From London Ontario to Sault Ste. Marie, from Toronto to Vancouver, and to Brooklyn where Jason lives with his wife and two sons. Thanks to Jason and Mark for this great opportunity! It was an honour to get to know more about a wonderful London born artist.
What a treat ! Mark sat with Canadian Artist Jason McLean who was visiting from Brooklyn last Sunday. Jason is a multitalented artist who is currently showing at the Michael Gibson Gallery in London Ontario. I was a bit jittery meeting Jason via Skype and felt little mini tiny butterflies in my stomach at the start of recording but almost immediately those went away as I listened to Jason’s kind voice. We had such a good time recording that I had to split the recording in two parts!
Part one highlights: BGL Group, Beal Secondary School, Bubbles of your own realities, working tools, collaborations, Jean-Michel Basquiat, Snakes, Jason’s process, goalie pads, blocking things out, grocery store feeling, local content, Farhi, areas of despair in cities, historic walking tours influences, colour palette (electricity)/wanting life in colour/dressing story, (36:25) looking like my artwork/dressing like my father-in-law, barn smells, Art gallery of Algoma.
Jason McLean Website :
Current Exhibit “Boomerang Smile” :
BGL Group Current Exhibition at Museum London :
Marc Bell, London Artist :
Ray Jonson Brick Snake :
Opening music : Most Def, Yo Yeah.
Why do we torture ourselves reading about Trump ? Mark talks about his reading habits and recounts memories of the last time he played a video game. Perhaps video games have changed to allow more fun instead of being all stressed out. Mark met a new artist with Natalie, a patron of the arts. They met her at The Arts Project in London. We might meet Angie soon!
Music credit : Zaz, On ira
Sally Mann's talent is indisputable. Using her own children, to create that amazing series, was perhaps a bit exploitative. Where are your limits as an artist ? As with most of our conversations, we go a little bit everywhere. This week was no different! Lately though, we've spent a bit more time talking about our families and the past. Mark and I grew up in the 70's. The saturated colours, the excessive styles are excellent periods for tv shows, Fargo in particular. We discuss painting, photography and what is the Avant-Garde.
This week, Mark has some bad news, he lost a dear friend, Ben Portis. Luckily, Mark had a chance to spend some time with his friend back in April. They went to see an orchestra. To his family, colleagues, friends, and all the artists who knew him, we wish to offer our deepest regrets on this tragic loss.
In this episode, Isabelle has a conversation with a musician friend from Toronto.
Sam was the co-owner of the Gore Street Café, in Sault Ste. Marie (2015-2016). In this episode, I reconnect with him through the magic of social media. He talks a little bit about some of the shows he saw recently in Toronto; Jessica Karuhanga does performances based on dance and projections (see link below.) Sam has a very experimental side to his artmaking. He blogs and podcasts on Instagram. He plays music and hosts open mic nights at the Belljar Café. I talked to him a bit about the Dawaa Dazhi Gallery and a little bit and my summer activities. I feel happy to have had a conversation with Sam, he is always full of surprises. I think he laughs a little bit at my old fashioned ways.... haha! That's ok, he's allowed.
Intro song: Stargazing by Sam Decter, 2015. Watch it here: https://www.youtube.com/watch?v=ND41Rs8PnjQ
Why are clowns so creepy? It could be the ambiguity we feel about these characters, are they safe or not? Is it the fact that the brain is wired to find average features attractive and therefore trustworthy? Is it something learned socially about jesters and characters that have populated our childhoods ? Maybe all of this together ? However, Cirque du Soleil clowns are not as scary. Making art 24\7 is not necessarily my choice, I do make a lot, maybe not up to the point of some artists. Cindy Sherman creates staged photography. She transforms herself to create different moods, with a vacant look in her eyes, inspired by the women in advertising around her in the 60's and 70's.
Micheal Snow and Richard Prince, two artists who have a different idea of intellectual property.
Snow VS Eaton, read about it here: https://en.m.wikipedia.org/wiki/Snow_v_Eaton_Centre_Ltd
Read about Richard Prince here: http://www.gagosian.com/exhibitions/richard-prince--june-12-2015
Intro music: Bob Marley, Three Little Birds.
Christoph Niemann talks about his work and his process. He designed many of the magazine The New Yorker front covers. There is a new series on Netflix Abstract : The Art of Design which we are watching. We talk about when is the time when kids start not drawing emotionally and instinctively but according to standards set by whoever around them. Why is it that they are not encouraged to continue along that line. As usual, our conversations take on a meandering of its own. (PS a little scratchy here and there.)
Abstract: The Art of Design https://www.netflix.com/ca/title/80057883
Christoph NIemann : http://www.christophniemann.com/
We watched an Art21 movie on three artists. Katarina Grosse makes gigantic sculptural paintings involving trees, dirt, and the space of the art gallery itself. Joan Jonas makes performance drawings involving dancers, musicians, and herself in her installations. Omer Fast makes experimental/journalistic-like movies about Drone Pilots or Porn Actors. We agree that performance art is problematic. Becoming the body that is viewed as the art is a little bit problematic. Where is the line? How much of that happens out of peer pressure? My definition of art is pretty broad and I would not say performance is "not art" however, I would definitely say that I cannot engage in it the same way that I would with physical space.
Mark suggested we watched Diana Al-Hadid, a young artist of Syrio-american artist on Art21. Al-Hadid gives a tour of the Venice Biennale https://www.youtube.com/watch?v=AqZ9B5L_5vY .
I worked on self-publishing my paintings in a book, it's not perfect but it's cute. http://www.blurb.com/b/7656667-kow-and-zibra
Happy New Year and Bonne Année 2017
Mark did some computer programming and he liked that, it's a creative program solving that he likes. Stan Douglas of Vancouver brings us inside the old neighbourhood he grew up in. He did a show called "Les détroits" of photography and prints of Detroit. He is focussed on Urban Decay. Diana Thater produces installations that are movie based, or influenced by film. Abstraction in film for her is abstraction of time. Diana Thater builds a maquette, she photographs the animals that she displays.
As viewers of videos on the Art21 website, we are really fascinated with the process of art making. As viewers we are seeing the complete arc of artmaking from the development of ideas in the studio to the actual installation of the pieces, to interviews with the artists during the exhibition. Immersive installations because they involve all the senses and the space require so much knowledge and also so much money to get the right kind of equipment, they might not be the easiest thing to get into. However... it can be done!
Opening song: Ratatat Loud Pipes
Photo : Diana Thater, Knots and Surfaces (2001)
For more information on all these awesome videos we are talking about: www.art21.org
Today we watched the Art21 website and we both picked an artist to view and we discussed these artists. Mark went for the work of Matthew Barney who made a film series called "The Cremaster" which he started in 1995. I believe he made 4 movies based on his study of Male Sexuality. We also watched Liz Magor talk about her gloves that she is casting and we saw an aluminum house on stilts in Coal Harbour British Columbia. Amazing work. Matthew Barney's work, I must admit to not understanding and it almost seems like the biggest extension of a man's ego I have ever seen, short of the Trump Tower... but maybe I am missing the point. Who knows?
Opening Theme: Blink 182 I miss you
Image: Liz Magor Being this 2012 http://catrionajeffries.com/artists/liz-magor/works/#25
Pixels and technology have inundated our lives. Charles Baudelaire said that urban living or the city was "an immense reservoir of electric energy." in his essay "The Painter of Modern Life" (1863). In the rise of industrialisation and mechanisation, "the eye was never allowed to rest." (Geiger, Rutsky, 2005) The same anxieties felt in the fin du siècle are mirrored in the Twenty-First Century whenever we talk about technology. Bombarded by pixels and movies, video games, apps, memes, pinterest images and instagram, the pixel is ubiquitous. Mark and I are still on that topic!! Join in, anytime you feel! Drop me a line at email@example.com
Intro song by Félix Leclerc, Hymne au printemps
Photo: Isabelle Michaud Une journée dans la vie de Madame Michaud
Mark's new phone works, which is good. We discuss my projects in Advanced Studio and in Painting IV. The mixing of drawing and digital work in in my mind, where is it going? I am not sure. Mark used Corel Draw in the past to help with his studies of paintings. We both find zebras fascinating. Join us in our meandering conversations. Do you want to join us? If you're an artist interested in joining the "That's not Art" conversations. Please email me at firstname.lastname@example.org.
Music : https://www.youtube.com/watch?v=RfnaQ9Cuw5k
Summer meanders led the wheels of our Jayco Tent Trailer to the Bruce Peninsula then to London where we visited family and with co-host Mark. The first part of this podcast is a free conversation we had at Kelsey's and the second part is a Skype conversation about a visit we made to the Thielsen gallery in London on Adelaide street. Frank Caprani's amazing mylar paintings were on display at this historical location. It would be an understatement to say that Caprini is as colourful an individual as his paintings are. Indeed, Caprani's masterful treatment of colour and composition was skillfully orchestrated to evoke true joy. It was a delight to meet Mark's friends who are all seasoned and accomplished artists. Brian Saby's invitation was most welcomed. Next time Brian, we're visiting you in your studio!! Another fine «rencontre» was to meet Gerald Pedros and Laura Woermke. Mark had the occasion to visit Laura's installation at Pedros' studio. What an amazing woman she is!! Woermke is not only the Curator of the St. Thomas Public Art Gallery, she is also an innovative and current artist. Thanks for listening, this time around I decided to mix things up a bit, we'll be enjoying 3 songs. Songs: Nina simone Aint got no , Shannon Moan Old blue sofa and Abd Al Malik Mabrouk .
Isabelle and Mark meet at Kelsey's in London Ontario and share impressions on recent exhibits they recently saw. As it turns out, they both saw the work of Barbara Astman especially the exhibit Clementine. The Amy Friend exhibit Dare Alla Luce is amazing, the stars shining over sienna coloured photographs as little fireflies was so good I could have sat in front of those forever. I thought Museum London was really great, there was a big educational room downstairs about water, also an exhibit about Mementos and Memorabilia, and a great contemporary exhibit All is Well.
Thanks to the Swingrowers for their remix of Pump up the Jam - The Lost Fingers
Back after a 6 week break, we touch on my recent trip to Ottawa and Montréal. The Kiki Smith / Tony Smith exhibit at the National gallery was a great exercise in trying to find similarities. What blew me away was a painting by Degas "Woman with an umbrella." By the way, I made a mistake about a painter I really liked, I said his name was Monkhouse but it was in actual fact the work of Kent Monkman that I enjoyed so much. Mark talked about how when you're starting out, you might not like some forms of artwork but when you mature a bit your tastes start changing. I totally agree. We talked about Barnett Newman's Voice of Fire. My family got really passionate about talking about it. Mark loved it and it really inspired him to paint. We totally invite you to experience that painting for yourself. It might surprise you! Oh, check out my new website www.isamichaud.com if you're interested. Let us know how we're doing on "That's not Art."